English | 简体中文 | 繁體中文 | 한국어 | 日本語
Wednesday, 15 March 2017, 17:00 HKT/SGT
Share:
    

Source: HKTDC
FILMART: Creating Quality Localized Content Attracts Audiences
Tapping into the huge market for OTT platform content

HONG KONG, Mar 15, 2017 - (ACN Newswire) - With the rapid advances in technology, people can tune into their favourite OTT platforms on different kinds of electronic devices anytime and anywhere. OTT refers to over-the-top distribution of multimedia content via the Internet. For online entertainment companies, the challenge is how to revise their strategies to adapt to rapid developments and high demand for such content. At the thematic seminar held yesterday (14 March), "New Opportunities in the Explosive Growth of Online Entertainment" at the Hong Kong International Film and TV Market (FILMART), representatives of four renowned online entertainment companies discussed how to tap into the tremendous OTT platform market by producing and sourcing quality localized content.


- User pays model is key to business development -

Yang Xianghua, Senior Vice President of iQIYI pinpointed the fast-growing audience for OTT platforms in the Chinese mainland over the past few years. "It is estimated that within this year or next year, the number of people who watch streaming videos using mobile phone networks will reach half of the country's population. In view of this, iQIYI is actively working with our partners to produce high-quality full-length online films." He mentioned that there are two revenue models in place at present; advertisement revenue and user fees. The number of videos that generated more than Rmb1 million in profit for the company surged from 35 in 2015 to 122 in 2016, which points to a huge online market.

Conference moderator Patrick Frater, Asia Editor of Variety, raised the question of how to tackle the issue of many online entertainment companies running at a loss. In his response, Mr Yang noted that iQIYI has invested a lot in purchasing and producing content. In order to attract audiences, a significant portion of the content is free in the early stages. However, he predicted that the platform will turn the deficit into profit, as the number of subscribers and page views increases and the pay-per-user model is established. "Young Chinese viewers are relatively affluent, so they are willing to pay for higher-quality content," he added.

- Localized vision to meet demands of different markets -

Meg Lee, Assistant Vice President, Content Management - Digital Media, PCCW Media Limited summed up the current trend: "Korean content is king." Therefore, ViuTV is closely following the Korean trends and actively sourcing quality Korean entertainment video content such as dramas and variety shows, which have attracted a large numbers of fans of Korean trends to follow the channel.

Regarding producing and sourcing content that caters to the tastes of local audiences, Ms Lee noted, "ViuTV has its own team in each country, as well as an independent team that is in charge of collecting audience data and analysis. We also work with different local companies so as to quickly grasp the demand of the local market." She added that ViuTV has its own team of translators who translate related content into local languages in a timely fashion. "We can only stay at the forefront by seizing the opportunities from the fast-changing trends."

- Diversified video content attracts wider audiences -

As audience tastes change quickly, companies need to constantly explore new initiatives and adjust their strategies, which results in high investment risks. Dan Zonmani, Content Business Director of LINE Company Thailand stated that LINE TV partners with various brands in co-productions of new online content, which in turns lowers investment risks. LINE TV also offers diversified video content. "Besides local content, we also feature content from Japan and Korea while refining our existing content to cater to the local audience's taste." In addition, LINE TV features re-runs of dramas and live broadcasts in a multi-pronged approach to attract audiences.

He added that in providing content that caters to Thailand's market, it is essential for the company to understand and respect the local culture while taking risks. "For instance, at the passing of the King of Thailand, we purchased a three-hour film whose content revolves around songs that are written about the King of Thailand. Broadcasting such a lengthy film on LINE TV was a new attempt, and a worthy one."

- Japanese video on demand platforms bloom -

Among various markets, Japan was one of the last to join the OTT platform revolution, since the country's traditional entertainment culture remains strong and it is difficult for industry players to break into the Japanese market. Nakase Keiko, Director (Animation Division and New Business Development) of Mytheater DD stated that there will be a gradual increase in the number of Japanese audiences who watch videos on OTT platforms on mobile devices, and the market of VOD services platforms is expected to reach US$1.3 billion in value.

Despite the tremendous market potential, there are also various challenges for companies who wish to enter the market. For instance, while NETFLIX and Amazon produce original dramas for their VOD platforms in Japan, the companies face competition from traditional TV stations. Ms Nakase believed the companies must differentiate their programmes from traditional TV content. For instance, greater emphasis may be placed on star casting to arouse audience's interest.

In conclusion, online entertainment companies must cater to the audience's tastes, keep a firm grasp on market trends and provide quality, localized content to attract more viewers, in order to tap into this fast-changing and tremendous entertainment services market.

FILMART Website: http://www.hktdc.com/hkfilmart
Photo Download: http://bit.ly/2nqS1x2

Media representatives wishing to cover the event may register on-site with their business cards and/or media identification.

To view press releases in Chinese, please visit http://mediaroom.hktdc.com/tc

Contact:
HKTDC
Communication and Public Affairs Department
Joe Kainz
Tel: +852 2584 4216
Email: joe.kainz@hktdc.org


Topic: Trade Show or Conference
Source: HKTDC

Sectors: Media & Marketing, Broadcast, Film & Sat, Advertising
https://www.acnnewswire.com
From the Asia Corporate News Network


Copyright © 2024 ACN Newswire. All rights reserved. A division of Asia Corporate News Network.

 
HKTDC Links

http://www.hktdc.com

https://www.facebook.com/hktdc.hk

https://twitter.com/hktdc

https://www.youtube.com/user/HKTDC

https://www.linkedin.com/company/hong-kong-trade-development-council

HKTDC Related News
Nov 21, 2024 17:54 HKT/SGT
DesignInspire opens on December 5, with free admission for the public
Nov 20, 2024 18:16 HKT/SGT
BIP Asia Forum and Entrepreneur Day Returns in December
Nov 19, 2024 22:16 HKT/SGT
第14屆「亞洲物流航運及空運會議」圓滿結束
Nov 19, 2024 21:57 HKT/SGT
第14届「亚洲物流航运及空运会议」圆满结束
Nov 19, 2024 21:27 HKT/SGT
14th Asian Logistics, Maritime and Aviation Conference concludes today
More news >>
Copyright © 2024 ACN Newswire - Asia Corporate News Network
Home | About us | Services | Partners | Events | Login | Contact us | Cookies Policy | Privacy Policy | Disclaimer | Terms of Use | RSS
US: +1 214 890 4418 | China: +86 181 2376 3721 | Hong Kong: +852 8192 4922 | Singapore: +65 6549 7068 | Tokyo: +81 3 6859 8575